Program and Papers ISMIR 2015

Poster Session 1. Tuesday, October 27
PS1.1 Image Quality Estimation for Multi-Score OMR
Dan Ringwalt, Roger B. Dannenberg
PS1.2 Comparative Music Similarity Modelling Using Transfer Learning Across User Groups
Daniel Wolff, Andrew MacFarlane, Tillman Weyde
PS1.3 Modeling Genre with the Music Genome Project: Comparing Human-Labeled Attributes and Audio Features
Matthew Prockup, Andreas F. Ehmann, Fabien Gouyon, Erik M. Schmidt, Oscar Celma, Youngmoo E. Kim
PS1.4 Cover Song Identification with Timbral Shape Sequences
Christopher J. Tralie, Paul Bendich
PS1.5 On the Impact of Key Detection Performance for Identifying Classical Music Styles
Christof Weiß, Maximilian Schaab
PS1.6 Chord Detection Using Deep Learning
Xinquan Zhou, Alexander Lerch
PS1.7 Temporal Music Context Identification with User Listening Data
Cameron Summers, Phillip Popp
PS1.8 Improving Music Recommendations with a Weighted Factorization of the Tagging Activity
Andreu Vall, Marcin Skowron, Peter Knees, Markus Schedl
PS1.9 An Efficient State-Space Model for Joint Tempo and Meter Tracking
Florian Krebs, Sebastian Böck, Gerhard Widmer
PS1.10 Automatic Handwritten Mensural Notation Interpreter: From Manuscript to MIDI Performance
Yu-Hui Huang, Xuanli Chen, Serafina Beck, David Burn, Luc Van Gool
PS1.11 Infinite Superimposed Discrete All-Pole Modeling for Multipitch Analysis of Wavelet Spectrograms
Kazuyoshi Yoshii, Katsutoshi Itoyama, Masataka Goto
PS1.12 Melodic Similarity in Traditional French-Canadian Instrumental Dance Tunes
Laura Risk, Lillio Mok, Andrew Hankinson, Julie Cumming
PS1.13 A Semantic-Based Approach for Artist Similarity
Sergio Oramas, Mohamed Sordo, Luis Espinosa-Anke, Xavier Serra
PS1.14 Predicting Pairwise Pitch Contour Relations Based on Linguistic Tone Information in Beijing Opera Singing
Shuo Zhang, Rafael Caro Repetto, Xavier Serra
PS1.15 Song2Quartet: A System for Generating String Quartet Cover Songs from Polyphonic Audio of Popular Music
Graham Percival, Satoru Fukayama, Masataka Goto
PS1.16 Exploring Data Augmentation for Improved Singing Voice Detection with Neural Networks
Jan Schlüter, Thomas Grill
PS1.17 Audio Chord Recognition with a Hybrid Recurrent Neural Network
Siddharth Sigtia, Nicolas Boulanger-Lewandowski, Simon Dixon
PS1.18 Design and Evaluation of a Probabilistic Music Projection Interface
Beatrix Vad, Daniel Boland, John Williamson, Roderick Murray-Smith, Peter Berg Steffensen
PS1.19 Conceptual Blending in Music Cadences: A Formal Model and Subjective Evaluation
Asterios Zacharakis, Maximos Kaliakatsos-Papakostas, Emilios Cambouropoulos
PS1.20 Harmonic-Percussive Source Separation Using Harmonicity and Sparsity Constraints
Jeongsoo Park, Kyogu Lee
PS1.21 A Hierarchical Bayesian Framework for Score-Informed Source Separation of Piano Music Signals
Wai Man Szeto, Kin Hong Wong
PS1.22 Automatic Tune Family Identification by Musical Sequence Alignment
Patrick E. Savage, Quentin D. Atkinson
PS1.23 Evaluation of Album Effect for Feature Selection in Music Genre Recognition
Igor Vatolkin, Günter Rudolph, Claus Weihs
PS1.24 Music Pattern Discovery with Variable Markov Oracle: A Unified Approach to Symbolic and Audio Representations
Cheng-i Wang, Jennifer Hsu, Shlomo Dubnov
PS1.25 Automatic Solfège Assessment
Rodrigo Schramm, Helena de Souza Nunes, Cláudio Rosito Jung
PS1.26 Evaluating Conflict Management Mechanisms for Online Social Jukeboxes
Felipe Vieira, Nazareno Andrade
PS1.27 Particle Filters for Efficient Meter Tracking with Dynamic Bayesian Networks
Ajay Srinivasamurthy, Andre Holzapfel, Ali Taylan Cemgil, Xavier Serra
PS1.28 Predictive Power of Personality on Music-Genre Exclusivity
Jotthi Bansal, Matthew Woolhouse
PS1.29 A Toolkit for Live Annotation of Opera Performance: Experiences Capturing Wagner's Ring Cycle
Kevin R. Page, Terhi Nurmikko-Fuller, Carolin Rindfleisch, David M. Weigl, Richard Lewis, Laurence Dreyfus, David De Roure
PS1.30 Selective Acquisition Techniques for Enculturation-Based Melodic Phrase Segmentation
Marcelo E. Rodríguez-López, Anja Volk
Oral Session 1: Corpus Analysis & Annotation. Tuesday, October 27
Session Chair: Cynthia Liem
OS1.1 Corpus Analysis Tools for Computational Hook Discovery
Jan Van Balen, John Ashley Burgoyne, Dimitrios Bountouridis, Daniel Müllensiefen, Remco C. Veltkamp
OS1.2 Large-Scale Content-Based Matching of MIDI and Audio Files
Colin Raffel, Daniel P. W. Ellis
OS1.3 Improving Genre Annotations for the Million Song Dataset
Hendrik Schreiber
OS1.4 A Software Framework for Musical Data Augmentation
Brian McFee, Eric J. Humphrey, Juan P. Bello
Oral Session 2: Rhythm & Beat. Wednesday, October 28
Session Chair: Sebastian Böck
OS2.1 Drum Transcription Using Partially Fixed Non-Negative Matrix Factorization with Template Adaptation
Chih-Wei Wu, Alexander Lerch
OS2.2 Beat and Downbeat Tracking Based on Rhythmic Patterns Applied to the Uruguayan Candombe Drumming
Leonardo Nunes, Martín Rocamora, Luis Jure, Luiz W. P. Biscainho
OS2.3 Automated Estimation of Ride Cymbal Swing Ratios in Jazz Recordings
Christian Dittmar, Martin Pfleiderer, Meinard Müller
Poster Session 2. Wednesday, October 28
PS2.1 Musical Offset Detection of Pitched Instruments: The Case of Violin
Che-Yuan Liang, Li Su, Yi-Hsuan Yang, Hsin-Ming Lin
PS2.2 Specter: Combining Music Information Retrieval with Sound Spatialization
Bill Manaris, Seth Stoudenmier
PS2.3 Content-Aware Collaborative Music Recommendation Using Pre-trained Neural Networks
Dawen Liang, Minshu Zhan, Daniel P. W. Ellis
PS2.4 Comparative Analysis of Orchestral Performance Recordings: An Image-Based Approach
Cynthia C. S. Liem, Alan Hanjalic
PS2.5 Monaural Blind Source Separation in the Context of Vocal Detection
Bernhard Lehner, Gerhard Widmer
PS2.6 Detection of Common Mistakes in Novice Violin Playing
Yin-Jyun Luo, Li Su, Yi-Hsuan Yang, Tai-Shih Chi
PS2.7 Probabilistic Modular Bass Voice Leading in Melodic Harmonisation
Dimos Makris, Maximos Kaliakatsos-Papakostas, Emilios Cambouropoulos
PS2.8 An Iterative Multi Range Non-Negative Matrix Factorization Algorithm for Polyphonic Music Transcription
Anis Khlif, Vidhyasaharan Sethu
PS2.9 Training Phoneme Models for Singing with "Songified" Speech Data
Anna M. Kruspe
PS2.10 Graph-Based Rhythm Interpretation
Rong Jin, Christopher Raphael
PS2.11 Let it Bee -- Towards NMF-Inspired Audio Mosaicing
Jonathan Driedger, Thomas Prätzlich, Meinard Müller
PS2.12 Real-Time Music Tracking Using Multiple Performances as a Reference
Andreas Arzt, Gerhard Widmer
PS2.13 Two Data Sets for Tempo Estimation and Key Detection in Electronic Dance Music Annotated from User Corrections
Peter Knees, Ángel Faraldo, Perfecto Herrera, Richard Vogl, Sebastian Böck, Florian Hörschläger, Mickael Le Goff
PS2.14 Towards Support for Understanding Classical Music: Alignment of Content Descriptions on the Web
Taku Kuribayashi, Yasuhito Asano, Masatoshi Yoshikawa
PS2.15 FlaBase: Towards the Creation of a Flamenco Music Knowledge Base
Sergio Oramas, Francisco Gómez, Emilia Gómez, Joaquín Mora
PS2.16 Discovery of Syllabic Percussion Patterns in Tabla Solo Recordings
Swapnil Gupta, Ajay Srinivasamurthy, Manoj Kumar, Hema A. Murthy, Xavier Serra
PS2.17 Autoregressive Hidden Semi-Markov Model of Symbolic Music Performance for Score Following
Eita Nakamura, Philippe Cuvillier, Arshia Cont, Nobutaka Ono, Shigeki Sagayama
PS2.18 Automatic Mashup Creation by Considering both Vertical and Horizontal Mashabilities
Chuan-Lung Lee, Yin-Tzu Lin, Zun-Ren Yao, Feng-Yi Lee, Ja-Ling Wu
PS2.19 Hierarchical Evaluation of Segment Boundary Detection
Brian McFee, Oriol Nieto, Juan P. Bello
PS2.20 Improving MIDI Guitar's Accuracy with NMF and Neural Net
Masaki Otsuka, Tetsuro Kitahara
PS2.21 Analysis of Intonation Trajectories in Solo Singing
Jiajie Dai, Matthias Mauch, Simon Dixon
PS2.22 Evaluating the General Chord Type Representation in Tonal Music and Organising GCT Chord Labels in Functional Chord Categories
Maximos Kaliakatsos-Papakostas, Asterios Zacharakis, Costas Tsougras, Emilios Cambouropoulos
PS2.23 Beat Histogram Features from NMF-Based Novelty Functions for Music Classification
Athanasios Lykartsis, Chih-Wei Wu, Alexander Lerch
PS2.24 Music Shapelets for Fast Cover Song Recognition
Diego F. Silva, Vinícius M. A. Souza, Gustavo E. A. P. A. Batista
PS2.25 Improving Score-Informed Source Separation for Classical Music through Note Refinement
Marius Miron, Julio José Carabias-Orti, Jordi Janer
PS2.26 In Their Own Words: Using Text Analysis to Identify Musicologists' Attitudes towards Technology
Charles Inskip, Frans Wiering
PS2.27 Combining Features for Cover Song Identification
Julien Osmalskyj, Peter Foster, Simon Dixon, Jean-Jacques Embrechts
PS2.28 Score Following for Piano Performances with Sustain-Pedal Effects
Bochen Li, Zhiyao Duan
PS2.29 Understanding Users of Commercial Music Services through Personas: Design Implications
Jin Ha Lee, Rachel Price
PS2.30 Corpus-Based Rhythmic Pattern Analysis of Ragtime Syncopation
Hendrik Vincent Koops, Anja Volk, W. Bas de Haas
Oral Session 3: Melody & Voice. Wednesday, October 28
Session Chair: Matthias Mauch
OS3.1 Comparing Voice and Stream Segmentation Algorithms
Nicolas Guiomard-Kagan, Mathieu Giraud, Richard Groult, Florence Levé
OS3.2 Melody Extraction by Contour Classification
Rachel M. Bittner, Justin Salamon, Slim Essid, Juan P. Bello
OS3.3 Comparison of the Singing Style of Two Jingju Schools
Rafael Caro Repetto, Rong Gong, Nadine Kroher, Xavier Serra
Oral Session 4: Mixed. Wednesday, October 28
Session Chair: Eric Humphrey
OS4.1 Improving Optical Music Recognition by Combining Outputs from Multiple Sources
Victor Padilla, Alex McLean, Alan Marsden, Kia Ng
OS4.2 Relating Natural Language Text to Musical Passages
Richard Sutcliffe, Tim Crawford, Chris Fox, Deane L. Root, Eduard Hovy, Richard Lewis
OS4.3 Music Boundary Detection Using Neural Networks on Combined Features and Two-Level Annotations
Thomas Grill, Jan Schlüter
OS4.4 Neuroimaging Methods for Music Information Retrieval: Current Findings and Future Prospects
Blair Kaneshiro, Jacek P. Dmochowski
Oral Session 5: Similarity. Thursday, October 29
Session Chair: Bob Sturm
OS5.1 Improving Visualization of High-Dimensional Music Similarity Spaces
Arthur Flexer
OS5.2 I-Vectors for Timbre-Based Music Similarity and Music Artist Classification
Hamid Eghbal-zadeh, Bernhard Lehner, Markus Schedl, Gerhard Widmer
OS5.3 Correlating Extracted and Ground-Truth Harmonic Data in Music Retrieval Tasks
Dylan Freedman, Eddie Kohler, Hans Tutschku
Poster Session 3, Thursday, October 29
PS3.1 Classical Music on the Web -- User Interfaces and Data Representations
Martin Gasser, Andreas Arzt, Thassilo Gadermaier, Maarten Grachten, Gerhard Widmer
PS3.2 A Statistical View on the Expressive Timing of Piano Rolled Chords
Mutian Fu, Guangyu Xia, Roger B. Dannenberg, Larry Wasserman
PS3.3 Hybrid Long- and Short-Term Models of Folk Melodies
Srikanth Cherla, Son N. Tran, Tillman Weyde, Artur d'Avila Garcez
PS3.4 Efficient Melodic Query Based Audio Search for Hindustani Vocal Compositions
Kaustuv Kanti Ganguli, Abhinav Rastogi, Vedhas Pandit, Prithvi Kantan, Preeti Rao
PS3.5 Modified Perceptual Linear Prediction Liftered Cepstrum (MPLPLC) Model for Pop Cover Song Recognition
Ning Chen, J. Stephen Downie, Haidong Xiao, Yu Zhu, Jie Zhu
PS3.6 Raga Verification in Carnatic Music Using Longest Common Segment Set
Shrey Dutta, Krishnaraj Sekhar PV, Hema A. Murthy
PS3.7 Instrument Identification in Optical Music Recognition
Yucong Jiang, Christopher Raphael
PS3.8 Cross-Version Singing Voice Detection in Classical Opera Recordings
Christian Dittmar, Bernhard Lehner, Thomas Prätzlich, Meinard Müller, Gerhard Widmer
PS3.9 Accurate Tempo Estimation Based on Recurrent Neural Networks and Resonating Comb Filters
Sebastian Böck, Florian Krebs, Gerhard Widmer
PS3.10 Musicology of Early Music with Europeana Tools and Services
Erik Duval, Marnix van Berchum, Anja Jentzsch, Gonzalo Alberto Parra Chico, Andreas Drakos
PS3.11 Singing Voice Separation from Monaural Music Based on Kernel Back-Fitting Using Beta-Order Spectral Amplitude Estimation
Hye-Seung Cho, Jun-Yong Lee, Hyoung-Gook Kim
PS3.12 Schematizing the Treatment of Dissonance in 16th-Century Counterpoint
Andie Sigler, Jon Wild, Eliot Handelman
PS3.13 Analysis of the Evolution of Research Groups and Topics in the ISMIR Conference
Mohamed Sordo, Mitsunori Ogihara, Stefan Wuchty
PS3.14 A Comparison of Symbolic Similarity Measures for Finding Occurrences of Melodic Segments
Berit Janssen, Peter van Kranenburg, Anja Volk
PS3.15 PAD and SAD: Two Awareness-Weighted Rhythmic Similarity Distances
Daniel Gómez-Marín, Sergi Jordà, Perfecto Herrera
PS3.16 Four Timely Insights on Automatic Chord Estimation
Eric J. Humphrey, Juan P. Bello
PS3.17 Improving Melodic Similarity in Indian Art Music Using Culture-Specific Melodic Characteristics
Sankalp Gulati, Joan Serrà, Xavier Serra
PS3.18 Searching Lyrical Phrases in A-Capella Turkish Makam Recordings
Georgi Dzhambazov, Sertan Şentürk, Xavier Serra
PS3.19 Quantifying Lexical Novelty in Song Lyrics
Robert J. Ellis, Zhe Xing, Jiakun Fang, Ye Wang
PS3.20 An Efficient Temporally-Constrained Probabilistic Model for Multiple-Instrument Music Transcription
Emmanouil Benetos, Tillman Weyde
PS3.21 Electric Guitar Playing Technique Detection in Real-World Recording Based on F0 Sequence Pattern Recognition
Yuan-Ping Chen, Li Su, Yi-Hsuan Yang
PS3.22 Extending a Model of Monophonic Hierarchical Music Analysis to Homophony
Phillip B. Kirlin, David L. Thomas
PS3.23 The MIR Perspective on the Evolution of Dynamics in Mainstream Music
Emmanuel Deruty, François Pachet
PS3.24 Theme And Variation Encodings with Roman Numerals (TAVERN): A New Data Set for Symbolic Music Analysis
Johanna Devaney, Claire Arthur, Nathaniel Condit-Schultz, Kirsten Nisula
PS3.25 Benford's Law for Music Analysis
Isabel Barbancho, Lorenzo J. Tardón, Ana M. Barbancho, Mateu Sbert
PS3.26 An Audio to Score Alignment Framework Using Spectral Factorization and Dynamic Time Warping
Julio José Carabias-Orti, F. J. Rodriguez-Serrano, P. Vera-Candeas, N. Ruiz-Reyes, F. J. Cañadas-Quesada
PS3.27 New Sonorities for Early Jazz Recordings Using Sound Source Separation and Automatic Mixing Tools
Daniel Matz, Estefanía Cano, Jakob Abeßer
PS3.28 Automatic Transcription of Ornamented Irish Traditional Flute Music Using Hidden Markov Models
Peter Jančovič, Münevver Köküer, Wrena Baptiste
PS3.29 Towards Music Imagery Information Retrieval: Introducing the OpenMIIR Dataset of EEG Recordings from Music Perception and Imagination
Sebastian Stober, Avital Sternin, Adrian M. Owen, Jessica A. Grahn
PS3.30 Emotion Based Segmentation of Musical Audio
Anna Aljanaki, Frans Wiering, Remco C. Veltkamp
Oral Session 6: User & Community. Thursday, October 29
Session Chair: Yi-Hsuan Yang
OS6.1 MIREX Grand Challenge 2014 User Experience: Qualitative Analysis of User Feedback
Jin Ha Lee, Xiao Hu, Kahyun Choi, J. Stephen Downie
OS6.2 AcousticBrainz: A Community Platform for Gathering Music Information Obtained from Audio
Alastair Porter, Dmitry Bogdanov, Robert Kaye, Roman Tsukanov, Xavier Serra
OS6.3 How Music Alters Decision Making - Impact of Music Stimuli on Emotional Classification
Elad Liebman, Peter Stone, Corey N. White
OS6.4 Put the Concert Attendee in the Spotlight. A User-Centered Design and Development Approach for Classical Concert Applications
Mark S. Melenhorst, Cynthia C. S. Liem
Oral Session 7: Performance. Friday, October 30
Session Chair:Zhiyao Duan
OS7.1 Analysis of Expressive Musical Terms in Violin Using Score-Informed and Expression-Based Audio Features
Pei-Ching Li, Li Su, Yi-Hsuan Yang, Alvin W. Y. Su
OS7.2 Spectral Learning for Expressive Interactive Ensemble Music Performance
Guangyu Xia, Yun Wang, Roger B. Dannenberg, Geoffrey Gordon
OS7.3 Score-Informed Analysis of Intonation and Pitch Modulation in Jazz Solos
Jakob Abeßer, Estefanía Cano, Klaus Frieler, Martin Pfleiderer, Wolf-Georg Zaddach